Curated from The YAMAHA Educator Suite – by Steve Graves – We’ve all seen it happen and have even felt it ourselves — that feeling in the pit of your stomach, the shakiness, the nerves. As directors, we have learned to live with performance anxiety, but what can we do to help our students deal with it? What is Musical…
MORECurated from Bandworld – Setting up the percussion section Every conductor has experienced it: rehearsal is progressing smoothly, then the triangle part is missing. “Who is playing the triangle?” “Umm…we didn’t know we needed it.” Or “We can’t find it,” your percussionists reply. There are three keys to solving this dilemma: Students must be able to quickly and easily locate…
MORECurated from BandWorld – by Dr. Tracy Heavner – Introduction There are many brands of saxophones currently being produced varying greatly in quality and price. Within their brand, most saxophone manufacturers also produce several different models in order to meet the needs of performers at various stages of development. Student models, designed for beginning saxophonists, are the least expensive but…
MORECurated from NFHS – The mission of the National Association for Music Education (NAfME) is to advance music education by promoting the understanding and making of music by all. The National Federation of State High School Associations (NFHS) provides leadership for the administration of high-school based activities, emphasizing health and safety to develop leaders and increase opportunities for all. In the time of COVID-19,…
MORECurated from The Yamaha Educator Suite – by Ben Nussbaum – “I’m kind of hard-wired to do things at a pretty intense level,” says Aaron Tindall. “In the low brass field, you just have to be relentless.” And Tindall expects the same passion from his students. “He’s one of the most hard-working people I’ve ever met,” says TJ Graf, one…
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